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The Off-Kilter World of Artist Rhys Meatyard 

October 27, 2021 by Abby Baker

A multicolor, surreal piece of pop art showing a man in a hamburger bun prison splitting through a face.
“Hamburger Cop Jail 2021” by Rhys Meatyard. Courtesy of Rhys Meatyard.

With a last name like Meatyard, Rhys was destined for something unusual. 

But Meatyard, who is non-binary, trans-masculine, didn’t get the chance to dive into their funky pop-culture centric work until the age of 40.

“I kind of did my life backwards: Got married when I was 17, had three little kids,” Meatyard said. “Doing art wasn’t the responsible choice.” 

But “doing art” is Meatyard’s new reality; the creator is “full-time, halftime” working as a freelance artist, graphic designer and art director for Friend Club Records. 

Cemetery Hangs 

A surreal piece of pop art showing a gray-toned lady staring ominously with one hand raised.
Part of “Blue Monday in Lothlórien” by Rhys Meatyard. Courtesy of Rhys Meatyard.

Before they touched the graphic design world, Meatyard was working on tombstones and spending more than your average amount of time in St. Petersburg cemeteries. 

Meatyard’s mother worked as a stone carver for a cemetery, and naturally, Meatyard picked up the knack of designing the marble and granite tombstones themselves. 

“I didn’t have an ideal childhood; I left home at 15, I had kids really young,” Meatyard said. “But I do remember going to cemeteries and watching my mom stencil the stones. I always liked the typography on them…I was fascinated with the letter forms. It’s a big part of who I am.”  

They’ve Arrived 

A multicolor, surreal piece of pop art showing a man smiling with multiple popsicles around his face and the words “Always Hungry” in a script around his face.
“Bomb Pops And Bentleys” by Rhys Meatyard. Courtesy of Rhys Meatyard.

After their long journey back to art, Meatyard studied fine art at St. Petersburg’s Eckerd College, and holds a portfolio of wildly different work and mediums, usually with a meta twist. 

“I live paycheck to paycheck. I’m not killing it on the money front, but I’ve arrived,” the artist said. “After a lifetime of chasing the carrot of financial security.”

Meatyard came out as non-binary a little over two years ago, prompting a transition from their previous oil portraits and “dry” work to the layered graphic design images seen today. 

“Until I had my s**t figured out, it felt like a gigantic joke that I had talent,” Meatyard said. “I could reproduce an image, paint portraits, but there was no soul in it.”

Until now. 

Meatyard creates digital images like the wildly popular Post Malone Cartoon, “Always Hungry,” a play on the rapper’s face tattoo that famously reads “Always Tired.” 

A multicolor, surreal piece of pop art showing a large cat clawing at people in spacesuits.
“Peets of Despair” by Rhys Meatyard. Courtesy of Rhys Meatyard.

They came out with a line of soap art with scents like “Smelly Pits” and “Smoky Air” to pay homage to the time of music festivals before COVID-19. 

Meatyard’s icon is a thick flank of t-bone steak. It all pokes fun at instantly recognizable images, and often adds a dark twist to light concepts. 

About the soap: 

“They smell good, I swear,” Meatyard said. “I just like to come at art with a sense of humor; there’s so much horror in the world, why not laugh a little?” 

Want to meet the meat? See their work at themeatyard.com or in person at the MIZE Gallery “SHINE YEAR 7 ART EXHIBIT.” More at fb.com/mizegallery. 

Want to talk about this post? Click here and discuss on Facebook!

by Abby Baker

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Filed Under: Arts Tagged With: MIZE Gallery art, Pop-Art St. Petersburg, Rhys Meatyard artist

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